Managing Tendonitis and Strain for Musicians

You might not think of playing music as a sport, but for the body, it might as well be. Hours of practice, repetitive and precise movements, and sustained postures demand endurance, strength, and coordination just as much as any other physical activity. Yet, musicians rarely warm up, cool down, or take a rest the way other athletes do.

The physical strain placed on musicians can take a real toll on the hands, wrists, elbows, shoulders, and neck. So, it should come as no surprise that as many as 93% of musicians experience a playing-related injury during their lifetime. Among these, overuse injuries like tendonitis and muscle strain are some of the most common.

Recognizing Early Warning Signs of Tendonitis and Strain

Tendonitis refers to inflammation of a tendon — the thick, rope-like tissue that connects muscle to bone. A strain involves overstretching or small tears in muscles or tendons. For musicians, these injuries may begin subtly. Common early signs and symptoms may include:

Studies show that injuries affecting tendons, muscles, and joints are often described as a dull or aching pain that begins within an hour of starting practice, particularly in string and wind players. Ignoring or playing through pain is a known risk factor for more serious injury.

Root Causes: Why Musicians Develop Tendonitis and Repetitive Strain

Musicians are essentially high-performance athletes trained in small and highly precise movements. Repetition without rest is often a primary driver of injury. Research shows that up to 76% of musicians experience musculoskeletal injuries, with the highest rates among those in their 30s and 40s. Common contributing factors include:

Certain groups face a higher risk of injury. For example, female musicians have slightly higher injury rates, and string players are especially vulnerable. Keyboard musicians report pain rates ranging from 26% to 77%, with the wrists and hands affected in up to two-thirds of cases.

Repetitive stress commonly affects the shoulder, elbows, and wrists. If left untreated, this can progress from simple tendon inflammation to more degenerative and disabling conditions.

Immediate Treatment: First Steps When Pain Strikes

When pain first appears, our first instinct might be to ignore it and hope it just goes away on its own. However, it’s important to take heed of early symptoms and take proper steps to calm inflammation and prevent further damage.

Initial steps might include:

These conservative measures are often most effective when started early. If pain persists despite precautionary steps, don’t wait to consult a medical professional.

Targeted Exercises for Repetitive Strain Recovery

Once acute pain is under control, guided exercises become essential for facilitating long-term recovery. These exercises focus on flexibility, strength, and endurance without overstressing vulnerable tissues.

Targeted exercises depend on the specific instrument and injury, but may include:

For example, some musicians recommend a gentle wrist-strengthening lift. Hold a light object, such as a soup can, with your palm facing down and your forearm supported on a table. Slowly raise and lower your hand using only your wrist for 15 to 20 repetitions. This can help build endurance without overloading the tendons.

Instrument-Specific Management Strategies

Different instruments will stress the body in unique ways, so management techniques should be appropriately targeted. For example:

Ultimately, successful injury management depends on both proper positioning and consistent conditioning. Learning and maintaining correct posture, hand position, and techniques reduces unnecessary strain, while regular warm-ups, gradual practice progression, and overall physical fitness prepare the body for the demands of long practice sessions.

Prevention Strategies to Avoid Recurrence

Preventing repeated injuries is just as important as treating the initial problem. Consider the following helpful prevention strategies:

Entrapment neuropathies — conditions where nerves are compressed, such as carpal tunnel syndrome — affect a fair number of musicians and can be easily aggravated by improper playing position. Addressing posture and technique early can reduce this risk.

Returning to Playing: A Gradual Progression Plan

Returning to music after injury should be done carefully and with intention. Try to avoid jumping back into full practice too quickly, as this can restart the cycle of pain before you’re fully healed. A gradual plan might look like:

Working closely with an orthopedic hand and wrist specialist can help guide your recovery in the short and long term and help optimize performance while protecting against chronic issues.

Make an Appointment With The Hand and Wrist Institute Today

Pain doesn’t have to hold you back from playing music. At The Hand and Wrist Institute, our specialists help musicians move past injury and back to playing with confidence. Schedule an appointment today and take the first step toward healing from tendonitis.

Dr. John Knight
Dr. John Knight

Dr. Knight is a renowned hand, wrist and upper extremity surgeon with over 25 years of experience. Dr. Knight is a Board Certified Orthopedic Surgeon and Fellowship trained. Dr Knight has appeared on CNN, The Doctors TV, Good Morning America, The Wall Street Journal, The Washington Post, Forbes, The Huffington Post, Entrepreneur, Oxygen network and more.